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hc24news · 27 days ago
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Bhagalpur: अनियंत्रित कार ने दो वाहनों को मारी टक्कर, तीन घायल.
Bhagalpur: तिलकामांझी बस स्टैंड के पास एक तेज रफ्तार होंडा सिटी कार अनियंत्रित होकर दो अन्य कारों से टकरा गई. इस हादसे में होंडा सिटी कार के चालक सहित तीन लोग मामूली रूप से घायल हो गए हैं. सभी घायलों का इलाज एक निजी अस्पताल में कराया गया, जहाँ अब उनकी हालत खतरे से बाहर बताई जा रही है. जानकारी के अनुसार, बरारी की तरफ से आ रही होंडा सिटी कार ने पहले सामने से आ रही एक सूमो विक्टा कार को टक्कर मारी,…
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#1 Driving School in Macquarie Fields NSW
Are you looking for a reliable & friendly driving school that can help you sharpen your driving skills?
Well, you have landed at the right place (or page!)
Swift and Easy Driving School is one of the best driving schools in Macquarie fields offering affordable driving lessons with professional and experienced driving instructors.
At Swift and Easy driving school, we offer highly structured & tailored lesson. swift and easy driving school will help you master the art of driving quickly. We have a team of certified & friendly Driving instructors in Campbelltown area who are extremely polite & helpful towards each learner.
We believe every learner is different & hence, instead of a single monotonous course, we tailor each course as per the individual need of the learner.
We understand you have a busy schedule. So we do not force you to choose a fixed timing for your lessons.
Source: www.swiftandeasy.com.au
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saltair-and-webweaves · 6 months ago
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Isn't all that rage so ugly? And isn't it mine, still? Good god, isn't it mine?
this is me trying - taylor swift/unable to find orgin/unknown/cop car - mitski/grief lessons: four plays by euripides, translated by anne carson/@rueyam/happiness - taylor swift/venetta octavia/c.s. lewis/I know the end - phoebe bridgers/a prayer - tathève simonyan/buried - ashe vernon
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hope-ur-ok · 1 year ago
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The absolute insanity of mashing these up
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evermoredeluxe · 23 days ago
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jackantonoff: rep forever guilt free listening!
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khruschevshoe · 1 year ago
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You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.
The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.
It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.
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yogurtgut · 7 months ago
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The Three Musketeers Stooges.
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lotus-pear · 10 months ago
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soukoku shippers name ONE (1) song that ISNT partners in crime by set it off that accurately characterizes their dynamic challenge‼️‼️‼️ (IMPOSSIBLE)
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one-time-i-dreamt · 9 months ago
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Taylor Swift was driving a cybertruck through the desert when it suddenly swerved off-road and plunged into a canyon. I awoke with a healthy fear of techbros and cybertrucks.
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justlemoney · 1 year ago
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MEMES. *slams desk and runs*
Cars Meme Masterlist
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stillgotscars · 11 months ago
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oh wait a minute… “put the money in a bag and i stole the keys / that was the last time you ever saw me” // “remember when you couldn’t take the heat? / i walked out, i said, ‘i’m setting you free’”
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mrsstarkey1 · 4 months ago
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nothing good (getaway car) - d.s.
yn is in a loving relationship with a guy she has no complaints about. tom(blyth, holland, hiddleston, take ur pick) is amazing. only problem? it's too good. restless, always searching for an exit, she never expected to find it in drew starkey. one lingering glance from across the bar and suddenly, she’s slipping into the passenger seat of a getaway car she knows is bound to crash. but that’s the thing about running—it only ever feels good until the chase is over.
wc: 3.4k
warnings: slight smut, infidelity, cursing
obx masterlist
The theater is dark, the screen flickering with golden light, but you can’t focus.
Tom is sitting beside you, his hand resting on your thigh, the way a good boyfriend’s should. He’s completely absorbed in the film—his film—the one he’s poured his heart into. Every time the audience reacts, he squeezes your knee in excitement, like he’s saying, Did you hear that? They loved it.
And you try. You really do. You keep your eyes on the screen, laughing at all the right moments. But your mind drifts, the way it always does.
Because here you are again—bored.
It’s always like this. You get restless, your fingers itch for something new. You don’t mean to be this way. You don’t want to be this way. But no matter how good a man is, no matter how many red carpets or candlelit dinners or whispered I love yous you collect, you always end up feeling like this.
Detached. Distant. Disconnected.
Tom leans over, whispering, “That was my favorite scene. Did you like it?”
You force a smile, turning to him, trying to shake yourself out of it. “I loved it.”
His brows furrow slightly, blue eyes searching yours. “Are you okay?”
You nod quickly, turning your attention back to the screen. “Of course. I’m just tired.”
He believes you. Because why wouldn’t he? You’re the perfect girlfriend—always there, always smiling, always saying the right things.
But tonight, you’re not sure how much longer you can pretend.
The weight of it all presses against your chest—too many eyes, too many expectations. You can feel Tom’s hand at the small of your back, warm and steady, a silent reminder of the role you’re supposed to play. You force a smile, let him guide you through the crowd, nodding at familiar faces, laughing at jokes you barely register.
And yet, beneath the shimmering lights and flowing champagne, something inside you itches, restless and uncontained.
It’s loud. Too loud.
Hollywood types fill the room—directors, actors, agents, all talking too fast, laughing too hard. Tom is in his element, shaking hands, flashing that charming grin. You squeeze his arm. “Go socialize, movie star. I’m gonna grab a drink.” 
He hesitates for half a second before kissing your temple. “I won’t be long.”
You nod, already turning toward the bar.
But once you get there, you don’t leave.
One drink turns into two. Two turns into—who’s counting? The ice in your glass melts as you swirl it idly, your mind still elsewhere.
And then, you feel it.
A pair of eyes on you.
You look up, and there he is.
Drew Starkey.
Sitting across the room, leaning back in his seat, one arm draped lazily over the back of the booth. He’s watching you, a slow smirk playing on his lips, the kind that makes your stomach flip in a way you haven’t felt in a long time.
You should look away.
You don’t.
He tilts his head slightly, as if to say, What’s a pretty girl like you doing drinking alone?
And that’s when you realize it—this is the moment. A moment you experience all too much. The point of no return.
You can get up, find Tom, pretend you never locked eyes with Drew Starkey across a crowded room. You haven’t done anything wrong, yet. 
Or you can pick up your drink, take a sip, and see what happens next.
You don’t look away.
Neither does he.
It’s a game of chicken now, the kind you shouldn’t be playing when your boyfriend is just across the room, laughing it up with his costars. But Drew doesn’t seem to care about that little detail—not with the way his lips curl at the edges, amused, like he already knows exactly how this will play out. 
And then—he stands.
You exhale slowly, turning back to your drink like you don’t notice. Like you don’t feel the heat of his gaze cutting through the crowd as he moves toward you.
A beat. Then, a voice, smooth as silk and twice as dangerous.
“You looked lonely.”
You glance up. He’s already leaning against the bar, a lazy confidence in the way he takes up space. His white dress shirt is unbuttoned just enough to show a hint of his collarbone, sleeves rolled up in a way that feels entirely calculated.
You arch a brow, playing along. “And you just couldn’t let that stand?”
Drew tilts his head slightly, eyes flickering over your face. He doesn’t answer right away. Instead, he orders a drink, “Old Fashioned, please,” before turning his full attention back to you.
“Let’s just say I’m a humanitarian.”
You huff a quiet laugh, shaking your head. “Right. Saint Drew Starkey, patron of lonely girls at bars.”
He smirks, tapping the rim of his glass before taking a slow sip. “Has a nice ring to it, doesn’t it?”
The conversation is easy, effortless, a kind of push-and-pull that makes something in your chest tighten. You’re intrigued—because of course you are. Because he’s intriguing.
And hot as hell.
You knew that before, in a vague, yeah-he’s-attractive kind of way. But now that he’s right in front of you, now that you can see the sharp cut of his jaw, the way his blue eyes flicker under the dim bar lights—yeah, you get it.
He studies you like he’s trying to figure something out.
“So, what’s a girl like you doing sitting at a bar alone at her boyfriend’s movie premiere?”
There it is.
He knows who you are. He knows who you’re here for. And he’s still standing way too close, still watching you like he wants something.
The smart thing to do would be to laugh, brush him off, go find Tom.
Instead, you tilt your head, tapping a nail against your glass. “Maybe I like a little space.”
Drew hums, like that answer doesn’t surprise him. Like he already knew it.
And then, he leans in—just enough for his voice to drop into something lower, more dangerous.
“Or maybe you’re just looking for an exit.”
Your breath catches. "Is that an observation?" You tilt your head to search his eyes, "or an invitation?"
Drew’s lips twitch like he wasn’t expecting you to match his energy so easily. He takes a slow sip of his drink, watching you over the rim before setting the glass down with a quiet clink.
“Depends,” he muses, running a finger along the condensation on his glass. “Would you take it if it was?”
You let out a soft laugh, shaking your head. He’s good—too good. The kind of smooth that should make you wary. Key word being should.
Instead, you angle yourself toward him, elbow resting on the bar as you meet his gaze. “You always talk in circles, or is that just for me?”
Drew smirks, tipping his head slightly. “Maybe you make it more fun.”
His voice is easy, teasing, but there’s something beneath it. A challenge. A dare.
Your fingers tap against the bar. You should excuse yourself, find Tom, do anything but sit here, entertaining this.
But instead, you lean in just slightly, close enough that his scent—something sharp, something expensive—wraps around you.
“You think I’m here for fun?” you ask, lips barely curving.
Drew hums, eyes flickering to your mouth before dragging back up. “Here—meaning sitting at this bar with me?”
You nod once, unsure of his angle.
He pretends to think it over, tilting his glass in his hand. Then, voice dropping just enough to make your stomach tighten, he murmurs, “No. I think you’re here because you hate events where you have to pretend to be in love with your boyfriend.”
Your fingers tighten around your drink. The ice clinks against the glass.
Because he isn’t wrong.
And the fact that he sees it so clearly? That should bother you.
But you find yourself leaning in just a little closer. "And what makes you think I’m pretending?"
Drew smirks, slow and knowing. "Because if you weren’t, you wouldn’t still be sitting here."
You stare at him, your brain and heart running on overdrive.
You know what should happen next. You should finish your drink, put on a smile, and go find Tom—stand next to him, wrap an arm around his waist, remind yourself that he’s good. That he’s kind, and sweet, and proud of you. That you’re supposed to be his.
But of course, you don’t.
“And if I left?” you ask, voice quiet, just for him. “Would you follow?”
His lips twitch, his amusement barely concealed. “That depends. Are you running?”
Your pulse jumps. You swallow, setting your glass down. 
Because yes. Of course you are. You always do.
Drew watches you carefully, fingers tapping against the bar. He could call your bluff. Could smirk and let you go back to your perfect little life. Could make it easy for you.
But he doesn’t.
Instead, he leans in, close enough for his breath to ghost against your cheek. “You want an exit?” he murmurs. “I’ll give you one.”
You don’t have time to second-guess.
Because suddenly, your feet are moving. Your heart is pounding.
You don’t check to see if Tom notices. You don’t check to see if anyone does. You just slip through the crowd, past glittering gowns and crisp suits and clinking glasses, and push through the doors into the cool night air.
A sleek black car is idling by the curb. The driver barely glances up before stepping out to open the door.
Drew nods at him, then looks at you. A silent question.
You take one last breath of hesitation. One last chance to stop this before it starts.
The second you slide into the car, a laugh bubbles up in your throat—light, breathless, entirely uncontrollable.
Drew gets in after you, shutting the door with a quiet click, and that’s it. You’re gone. No cameras, no flashing lights, no careful smiles. Just the two of you and the city slipping past in a blur.
You press a hand to your lips, still grinning, the adrenaline coursing hot through your veins. This is so bad. Reckless. Messy. But God, it feels good.
Drew watches you, amusement flickering in his eyes as he leans back, stretching an arm along the seat. “You always run this fast?”
You shoot him a look, “Only when there’s something worth running to.” He's good, you've seen that throughout the night. But you know you're better.
His lips twitch, and instead of answering, he reaches forward—plucks a chilled bottle of champagne from the car’s minibar like it was meant for this exact moment. The foil crinkles, the cork pops, and you flinch before giggling again, head tilting back against the seat.
“Jesus,” you exhale, watching as he pours, the bubbles rising in the glass.
Drew smirks, passing one to you. “To running.”
You clink your glass against his, eyes glinting under the streetlights. “To the story of my life," you mumble.
The champagne is cold and sharp against your tongue, fizzing like the thrill still buzzing under your skin. You take another sip, letting your body sink into the moment, into the warmth, into the sheer wrongness of it all.
Drew watches you over the rim of his glass, gaze flickering to your lips before dragging back up. He doesn’t say anything, but he doesn’t have to.
Because you know.
This is the part where you should hesitate. Where you should remember Tom, the careful life you just stepped out of, the lines you’re about to cross.
But you don’t.
Instead, you lean in, setting your glass aside, hands bracing against the seat as you crawl onto his lap, fabric slipping high on your thighs.
Drew hums, low in his throat, hands finding your waist like it’s second nature. “You move fast.”
You smirk, fingers curling into the undone knot of his tie. “You just noticed?"
Then his lips are on yours, hot and insistent and God help you, you can't remember Tom's name.
The kiss is messy, rushed, all tongue and need, like you’re making up for lost time neither of you even knew you missed. You fist a hand in his hair, tugging just enough to make him groan against your mouth.
The car takes a sharp turn, and Drew pulls back just enough to look at you, lips swollen, eyes dark. His fingers ghost over your jaw, then trail down, slow, deliberate.
“This is the part," he licks his lips, eyes scanning over your face, "where you tell me if you want to go home, or to the hotel on the end of the street."
You could play coy. You could make him chase. But you don’t.
Instead, you lean in, lips brushing against his, and whisper, “Make sure it's a suite."
The grin that spreads across his face is pure sin. 
The next few minutes are a blur of heat and hands and whispered things you won’t remember in the morning. The car stops, a door opens, and Drew is pulling you out, his grip firm around your wrist.
You follow him through the back entrance, avoiding the glow of security cameras overhead. The way he moves—quick, confident, like he’s done this before—sends a thrill down your spine. Inside, the lobby is quiet, dimly lit. A night worker barely glances up as Drew approaches the desk, exchanging a few low words you can’t quite catch.
It’s the way it happens so smoothly, the way the worker nods without question, slipping him a key card like it’s routine, that has something twisting deep in your stomach.
You should probably wonder. Ask questions. But instead, it just turns you on more.
Drew glances back at you, lips twitching like he knows exactly what you’re thinking. He slides the key into his pocket and reaches for your hand, his grip firm, leading you toward the elevators.
The moment the doors slide shut, his hands are on you again—palming at your waist, pressing your back against the cool metal, mouth hungry at the curve of your jaw.
The ride to the top floor is torturous. Every second feels stretched too thin, charged with heat. When the doors open, he doesn’t let go of you, walking backward down the hall like he can’t bear to break the contact.
The second the suite door shuts behind you, Drew’s on you again—his hands firm on your hips, his mouth already seeking yours like he’s been starved for it. His kisses are deep, urgent, but teasing too, like he enjoys dragging this out just to watch you fall apart.
Your fingers work quickly at the buttons of his shirt, pushing the fabric off his shoulders, reveling in the warmth of his skin beneath your touch. He lets you undress him without protest, but his hands aren’t idle—his fingers skim under the hem of your dress, pushing it up inch by inch, teasing.
As he tugs it over your head, he leans in, breath warm against your ear. “You always this impatient, or am I just special?”
You scoff, raking your nails down his chest. “Shut up and take your pants off.”
His low chuckle vibrates against your skin, but he obeys, kicking them off to be long forgotten. The two of you leave a careless trail of clothing across the hardwood floor, stumbling blindly toward the bedroom.
You pull back for a breath, chest rising and falling, but Drew doesn’t let you go far—his lips immediately attach to your collarbone, teeth scraping lightly against the sensitive skin. A sharp sigh escapes you, your head tilting back to give him more access.
Your eyes flick around the room, momentarily distracted. "God, this place is nice," you murmur.
Drew hums against your skin, his lips still working their way lower. “Yeah? You thinking about interior design right now?”
You chuckle, fingers weaving into his hair as you tug lightly, forcing his gaze down to yours. "No, baby, only thinking of you," you tease, looking at him through your lashes.
A slow smirk spreads across his lips, dark and knowing, before his hands slide down to your thighs—gripping firm before lifting you with effortless strength. You barely have time to react before he all but throws you onto the mattress, the plush bedding sinking beneath your weight.
He towers over you, his eyes raking over your body like he’s committing every inch to memory. Then, he tilts his head, voice rough yet laced with amusement. 
"You know," he muses, finger tracing down your bare stomach, dancing around the fabric of your thong. "I don’t feel great about stealing Tom’s girl, especially on the night of his big premiere," he tsks. "He’s a great actor. Seems like a great guy."
You freeze for half a second, your brows lifting as your eyes snap to his. The smirk playing on his lips is lazy, arrogant—like he knows exactly what he’s doing, exactly how to get under your skin.
Your fingers ghost over the waistband of his briefs, "Are you saying you want to stop? Hmm? 'Cause I'm sure he'd be happy to come take your place. I mean, you've already got me all hot and ready for hi-"
Drew lets out a sharp breath—almost a laugh, but darker. His mouth ghosts over your jaw, trailing down your neck, teeth grazing over your pulse point as he mutters, "Careful."
Heat pools low in your stomach, and you don’t bother fighting the grin tugging at your lips.
"Then shut up the fuck up about Tom."
He huffs out a low chuckle against your skin. "Who?" 
That’s enough talking, you both decide. 
His lips are slow, teasing, dragging across your skin in a way that has you gasping, hands grasping at him, nails digging into his back. He takes his time, savoring every reaction, every breathy moan he pulls from your lips.
And when he finally gives in, it’s fast and slow all at once—like he can’t get enough of you, but also wants to make this last. His touch is firm, controlled, but there’s a hunger beneath it, an urgency that makes heat coil low in your stomach. His hands roam your body, memorizing, mapping, claiming.
He’s good. Too good. The kind of good that makes you dizzy, that makes you forget your own name, let alone the one of the man you left behind tonight.
“God,” you breathe, fingers digging into his shoulders as he moves against you, burning skin on burning skin. He makes a noise in the back of his throat at the sound of your voice, like he’s reveling in the way you come undone beneath him. His name spills from your lips, a whisper, a plea, a curse all at once.
Drew’s mouth finds yours again, swallowing every sound, every broken breath. His hands tighten on your hips, fingers digging in like he’s afraid you’ll disappear, like he knows this can’t last but wants to make it count anyway.
And you let him.
You let him pull you under, let him ruin you in the best possible way, let him set a fire to everything you thought you knew.
Because for the first time in a long time—you feel something.
And it’s intoxicating. 
Drew is asleep beside you, his arm hooked around your waist, his breathing slow and steady. The room is dark except for the city lights bleeding in through the window, painting streaks of gold across the sheets.
Your body is still buzzing, your mind still running in circles. You stare at the ceiling, your heart pounding with something that isn’t just adrenaline. It’s something deeper, something heavier. The weight of everything you just did, everything this means.
You should leave.
But as you shift slightly, testing the idea, Drew’s grip tightens in his sleep, his arm flexing just enough to pull you closer, as if even unconscious, he can sense you trying to go.
You freeze.
A sharp inhale. A pause.
Your eyes flick toward the hotel desk. A notepad and pen sit untouched beside the lamp, waiting.
You think about what you’d write.
I’m sorry. No. Too simple. Too empty.
This was a mistake. A lie.
Don’t follow me. You don’t even know if you mean it.
The words swirl in your mind, shifting, twisting, refusing to settle.
You press your lips together, staring at the blank page from across the room.
And you wonder if you’ll actually write anything at all.
---
requests open!
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Congratulations Lily for passing your test on the first go with a perfect score!! Drive safe
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lesbianbeatles · 6 months ago
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"But when we’ve talked, we’ve mostly geeked out about music, and she’s truly a geek’s geek. Once when discussing the Beatles, she told me all about Alan Aldridge, the London artist who did their book The Beatles Illustrated Lyrics in 1969, appointed by John Lennon as “His Royal Master of Images to their Majesties the Beatles”—an obscure figure in Fabs folklore I’d never even heard of before. Taylor did a remarkable in-depth 2016 Vogue interview with Pattie Boyd, the muse for George Harrison and Eric Clapton, since Swift has drawn so much inspiration from her muses. When I shared my arcane theory that “Getaway Car” is about the Pattie/George/Eric love triangle, she immediately started combing her own song for more clues."
- Heartbreak is the National Anthem: How Taylor Swift Reinvented Pop Music by Rob Sheffield
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hope-ur-ok · 1 year ago
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The Bolter is a fitting song to play when it's cold out at the stadium
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evermoredeluxe · 10 months ago
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Taylor and Jack performing Death By A Thousand Cuts/Getaway Car as the surprise song on guitar
- The Eras Tour in London, England (N8) on August 20, 2024 (x)
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